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The beginning of the dancehall era in reggae history is commonly placed at the beginning of the 1980s. Following the culture of sound systems, the increasingly digitized beat was slowed down to suit the needs of dancers. Dancehall, however, was already evolving in the late 1970s, and in 1985 it conquered the reggae world with Wayne Smith's first...
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| Title | Birth Of Dancehall (Black Solidarity 1976-1979) |
| Artist | Various |
| Format | LP (vinyl) |
| Labels | Kingston Sounds |
| Country of issue | United Kingdom |
| Date of publication | 3. March 2012 |
| First released | 2012 |
| Weight | 230 g |
| EAN | 5060135760922 |
| Product ID | 59849 |
| Discogs ID | 3694389 |
| Discogs reviews |
4.64
|
Various: Birth Of Dancehall (Black Solidarity 1976-1979) version on vinyl LP in Standard edition. This particular edition was published in United Kingdom in publishing company Kingston Sounds on 3. March 2012.
The beginning of the dancehall era in reggae history is commonly placed at the beginning of the 1980s. Following the culture of sound systems, the increasingly digitized beat was slowed down to suit the needs of dancers. Dancehall, however, was already evolving in the late 1970s, and in 1985 it conquered the reggae world with Wayne Smith's first computer-generated riddim, "Under Me Sleng Teng". The "Birth Of Dancehall" compilation sheds light on the time when groups like Soul Syndicate and Roots Radics began to slow down the beat and the first drum machines appeared. Producer Ossie Thomas was one of the grandmothers of dancehall. His label Black Solidarity released some of the earliest dancehall artists such as Triston Palmer, Robert French, Papa Levi, Puddy Roots and Earl B.
Album spans genres Reggae, Roots Reggae and Dancehall.
The beginning of the dancehall era in reggae history is commonly placed at the beginning of the 1980s. Following the culture of sound systems, the increasingly digitized beat was slowed down to suit the needs of dancers. Dancehall, however, was already evolving in the late 1970s, and in 1985 it conquered the reggae world with Wayne Smith's first computer-generated riddim, "Under Me Sleng Teng". The "Birth Of Dancehall" compilation sheds light on the time when groups like Soul Syndicate and Roots Radics began to slow down the beat and the first drum machines appeared. Producer Ossie Thomas was one of the grandmothers of dancehall. His label Black Solidarity released some of the earliest dancehall artists such as Triston Palmer, Robert French, Papa Levi, Puddy Roots and Earl B.
Album spans genres Reggae, Roots Reggae and Dancehall.
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| A1 | Tristan Palmer: Spliff Tales | 3:03 min | |
| A2 | Rod Taylor: The Lord Is My Light | 2:43 min | |
| A3 | Michael Palmer: String Up The Sound System | 3:16 min | |
| A4 | Tony Tuff: Never Trouble Trouble | 2:44 min | |
| A5 | Ashanti Waugh: Crime Act | 3:37 min | |
| A6 | Early B: Gate Man Get Fraid | 3:25 min | |
| A7 | Robert Ffrench: Eradication | 3:25 min | |
| B1 | Josey Wales: Let Go The Rhythm | 3:40 min | |
| B2 | Early B: Me Want Join The Army | 3:54 min | |
| B3 | Ashanti Waugh: Police Police | 3:19 min | |
| B4 | George Nooks: Crucial Corporal | 2:46 min | |
| B5 | Puddy Roots: Champion Bubbler | 3:37 min | |
| B6 | Sugar Minott: Everybody Wants | 3:33 min | |
| B7 | Sammy Dread: Wat Wah | 3:02 min |
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