Myriam Rignol: Leçons de Ténèbres version on 2CD in Standard edition. This particular edition was published in France in publishing company Harmonia Mundi on 16. March 2018. Album spans genres Classical and Baroque.
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Leçons de Ténèbres Des Mercredi, Jeudi Et Vendredi Saints Premier Cycle, 1662-1663
1-1
Première Leçon Du Premier Jour: Incipit Lamentatio Jeremiæ - Aleph. Quomodo Sedet Sola
1-2
Première Leçon Du Premier Jour: Beth. Plorans Ploravit In Nocte
1-3
Première Leçon Du Premier Jour: Gimel. Migravit Judas
1-4
Première Leçon Du Premier Jour: Daleth. Viæ Sion Lugent Eo
1-5
Première Leçon Du Premier Jour: He. Facti Sunt Hostes
1-6
Première Leçon Du Premier Jour: Jerusalem, Jerusalem, Convertere Ad Dominum
1-7
Seconde Leçon Du Premier Jour: Vau. Et Egressus Est
1-8
Seconde Leçon Du Premier Jour: Zain. Recordata Est Jerusalem
1-9
Seconde Leçon Du Premier Jour: Heth. Peccatum Peccavit Jerusalem
1-10
Seconde Leçon Du Premier Jour: Teth. Sordes Ejus In Pedibus
1-11
Seconde Leçon Du Premier Jour: Jerusalem, Jerusalem, Convertere Ad Dominum
1-12
Troisième Leçon Du Premier Jour: Jod. Manum Suam Misit Hostis
1-13
Troisième Leçon Du Premier Jour: Caph. Omnis Populus Ejus
1-14
Troisième Leçon Du Premier Jour: Lamed. O Vos Omnes
1-15
Troisième Leçon Du Premier Jour: Mem. De Excelso Misit Ignem
1-16
Troisième Leçon Du Premier Jour: Nun. Vigilavit Jugum Iniquitatum Mearum
1-17
Troisième Leçon Du Premier Jour: Jerusalem, Jerusalem, Convertere Ad Dominum
1-18
Prélude Non Mesuré Pour Viole Seule (Manuscrit D'Ebenthal. Privatbibliothek Goëss)
1-19
Première Leçon Du Second Jour: De Lamentatione Jeremiæ - Heth. Cogitavit Dominus
1-20
Première Leçon Du Second Jour: Teth. Defixæ Sunt In Terra
1-21
Première Leçon Du Second Jour: Jod. Sederunt In Terra
1-22
Première Leçon Du Second Jour: Caph. Defecerunt Præ Lacrimis
1-23
Première Leçon Du Second Jour: Jerusalem, Jerusalem, Convertere Ad Dominum
1-24
Seconde Leçon Du Second Jour: Lamed. Matribus Suis Dixerunt
1-25
Seconde Leçon Du Second Jour: Mem. Cui Comparabo Te
1-26
Seconde Leçon Du Second Jour: Nun. Prophetæ Tui Viderunt
1-27
Seconde Leçon Du Second Jour: Samec. Plauserunt Super Te Manibus
1-28
Seconde Leçon Du Second Jour: Jerusalem, Jerusalem, Convertere Ad Dominum
1-29
Troisième Leçon Du Second Jour: Aleph. Ego Vir Videns
1-30
Troisième Leçon Du Second Jour: Beth. Vetustam Fecit
1-31
Troisième Leçon Du Second Jour: Gimel. Circumedificavit Adversum
1-32
Troisième Leçon Du Second Jour: Jerusalem, Jerusalem, Convertere Ad Dominum
2-1
Allemande (Recueil de Pièces de Basse de Viole, Dit Manuscrit de Cracovie. Varsovie, Biblioteka Warszawskiego Towarzystwa Muzycznego)
2-2
Première Leçon Du Troisième Jour: De Lamentatione Jeremiæ - Heth. Misericordiæ Domini
2-3
Première Leçon Du Troisième Jour: Teth. Bonus Est Dominus Sperantibus
2-4
Première Leçon Du Troisième Jour: Jod. Sedebit Solitarius
2-5
Première Leçon Du Troisième Jour: Jerusalem, Jerusalem, Convertere Ad Dominum
2-6
Seconde Leçon Du Troisième Jour: Aleph. Quomodo Obscuratum Est Aurum
2-7
Seconde Leçon Du Troisième Jour: Beth. Filii Sion Inclyti
2-8
Seconde Leçon Du Troisième Jour: Gimel. Sed Et Lamiæ Nudaverunt Mammam
2-9
Seconde Leçon Du Troisième Jour: Daleth. Adhesit Lingua Lactentis
2-10
Seconde Leçon Du Troisième Jour: He. Qui Vescebantur Voluptuose
2-11
Seconde Leçon Du Troisième Jour: Vau. Et Major Effecta Est
2-12
Seconde Leçon Du Troisième Jour: Jerusalem, Jerusalem, Convertere Ad Dominum
2-13
Courante (Manuscrit Vaudry de Saizenay, 1699. Bibliothèque Municipale, Besançon)
2-14
Troisième Leçon Du Troisième Jour: Incipit Oratio Jeremiæ
2-15
Troisième Leçon Du Troisième Jour: Pupilli Facti Sumus
2-16
Troisième Leçon Du Troisième Jour: Servi Dominati Sunt
2-17
Troisième Leçon Du Troisième Jour: Mulieres In Sion
2-18
Troisième Leçon Du Troisième Jour: Jerusalem, Jerusalem, Convertere Ad Dominum
2-19
Tombeau de Mezangeau
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Please note that the dimensions may vary slightly from piece to piece
Marc Mauillon is a French baritone and classical music artist known for his versatility and expertise in early music, including medieval and Renaissance repertoire. He has established himself as a prominent figure in the world of classical music through his performances and recordi...
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