Georg Philipp Telemann: Matthäuspassion 1750 version on 2CD in Standard edition. This particular edition was published in Germany in publishing company Raumklang on 23. January 2003. Album spans genres Classical and Baroque. 1750.
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1-1
Choral: Gegrüßest Seist Du, Meine Kron’
1:13 min
1-2
Rez.: Und Da Sie Den Lobgesang Gesprochen Hatten
1:46 min
1-3
Arie : Vermeßt Euch, Arme, Nicht Zuviel (Alt)
6:09 min
1-4
Rez.: Da Kam Jesus Mit Ihnen Zu Einem Hofe
4:36 min
1-5
Choral: Man Traue Nimmermehr Auf Alle Freunde
0:38 min
1-6
Rez.: Jesus Aber Sprach Zu Ihm
1:23 min
1-7
Arie : Erhabner Herr Der Legionen (Sopran)
5:01 min
1-8
Rez.: Zu Der Stunde Sprach Jesus Zu Den Scharen
1:42 min
1-9
Choral: O Falsche Treu, O Heuchelei!
0:30 min
1-10
Rez.: Und Funden Keins
1:39 min
1-11
Arie : Herrscher Himmels Und Der Erden (Alt)
4:26 min
1-12
Choral: O Jesu, Hilf Zur Selben Zeit
0:53 min
1-13
Rez.: Da Zerriß Der Hohe Priester Seine Kleider / Chor: Er Ist Des Todes Schuldig
0:35 min
1-14
Arie : Rede, Du Himmel, Mit Blitzen Und Krachen (Bass)
6:58 min
1-15
Rez.: Da Speisten Sie Aus In Sein Angesicht / Chor: Weissage Uns, Christe / Rez.: Petrus Aber Saß Draußen Im Palast / Chor: Wahr
3:04 min
1-16
Choral: Wird Dir Vor Die Ohren Schallen
1:01 min
2-1
Rez.: Des Morgens Aber / Chor: Was Gehet Uns Das An
1:33 min
2-2
Arie Und Chor: Mich Schreckt Der Fluch Meiner Greueltaten / Was Gehet Uns Das An (Alt)
3:34 min
2-3
Rez.: Und Er Warf Die Silberlinge In Den Tempel / Chor: Es Taugt Nicht / Rez.: Sie Hielten Aber Einen Rat
2:30 min
2-4
Arie : Allwaltender König Aus Israels Samen (Chor)
2:04 min
2-5
Rez.: Und Da Er Verklagte Ward von Den Hohen Priestern
0:49 min
2-6
Arie : Wir Sollten Red Und Antwort Geben (Sopran)
4:12 min
2-7
Rez.: Auf Das Fest Aber Hatte Der Landpfleger Gewohnheit / Chor: Barrabam
2:01 min
2-8
Arie : Die Bosheit Streckt Die Löwenklauen (Bass)
5:24 min
2-9
Choral: Der Fromme Stirbt, Der Recht Und Richtig Wandelt
0:44 min
2-10
Rez.: Pilatus Sprach Zu Ihnen / Chor: Laß Ihn Kreuzigen / Rez.: Der Landpfleger Sagte / Chor: Laß Ihn Kreuzigen / Rez.: Da Aber
2:26 min
2-11
Choral: Durch Dein Unschuldig Blut
0:52 min
2-12
Rez.: Da Gab Er Ihnen Barrabam Los / Chor: Gegrüßte Seist Du, Judenkönig / Rez.: Und Sie Speisten Ihn An
1:31 min
2-13
Arie : Wo Ist, O Herr, Ein König Auf Der Welt (Alt)
4:53 min
2-14
Rez.: Und Da Sie Ihn Verspottet Hatten
0:42 min
2-15
Duett : Dein Kreuz Ist Schwer / Mein Joch Ist Sanft (Sopran, Bass)
3:01 min
2-16
Rez.: Und Da Sie An Die Stätte Kamen Mit Namen Golghata
1:02 min
2-17
Arie : Das Los Ist Mir Lieblich Gefallen (Alt)
2:52 min
2-18
Rez.: Und Sie Saßen Alle Und Hüteten Sein / Chor: Der Du Den Tempel Gottes Zerbrichst / Rez.: Desgleichen Auch Die Hohen Prieste
2:20 min
2-19
Arie : Dies Geheimnis Zu Ergründen (Sopran)
3:14 min
2-20
Choral: Aus Dem Tod Wir Konnten Durch Unser Eigen Werk
1:19 min
2-21
Rez.: Desgleichen Schmähten Ihn Auch Die Mörder / Chor: Er Rufet Den Elias! / Rez.: Und Bald Lief Einer Unter Ihnen / Chor: Halt
Georg Philipp Telemann was a prolific German Baroque composer and multi-instrumentalist, considered one of the most versatile and important composers of his time. Born on March 14, 1681, in Magdeburg, then part of the Holy Roman Empire, Telemann became a central figure in the music...
Hans-Christoph Rademann is a renowned German conductor, particularly celebrated for his work in choral music. Born on August 5, 1965, in Dresden, he has established himself as an expert interpreter of both early and contemporary choral works. Rademann studied at the Dresden Kreuzsc...
Marcus Ullmann is a German tenor who has made a name for himself in the classical music world, particularly in the realm of Lieder and oratorio. He has performed at various prestigious venues and festivals, showcasing his vocal talents across Europe. Ullmann is known for his interp...
The Dresdner Barockorchester, as its name suggests, is an ensemble based in Dresden, Germany, that specializes in the performance of Baroque music using historical instruments and performance practices. The orchestra aims to recreate the sounds and styles of the 17th and 18th centu...
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